I too had a harder time getting this issue, where before I'd been able to buy #1 and #2 through a UK vendor a week after release, I had to resort to buying it from a US vendor a fortnight after #3's release.
Anyway, onto #3…
More of the same, which should be read as: More good content. Fritz has already covered the story specifics so I'll remark on my favourite bits.
I love the whole
Jetsons vibe of Mars, 2060, even to the point where it could be argued that two of the Jetsons have been amusingly sneaked into the artwork. It's also fun to see ray's glittering eyes and huge grin in panel 2 of page 5.
The brief interlude with Winston was also a nice touch, especially as Fritz remarked, he stands to receive a significantly smaller spotlight as he's still in our own time, and the fourth issue will have the whole resolution. Still, he's able to shine and kick ass, dispatching a demonically possessed Chimera statue (which is a nice reference to the New York Public Library's lions), whilst also showing us just how bad things have gotten in New York with the dead lying in the streets. Consider my ‘destruction quota’ more than adequately satisfied.
It's also here that we get a tidbit, as Fritz remarked, about Winston's interaction with Rachel… which suggests that he isn't under the same spell she worked on Ray and Peter… which may have been done to as frictionlessly get them back to the present as possible… we'll have to see.
I also imagine Winston was left in the present, because he'd be perceived to be of little threat without the other three Ghostbusters… which'll surely serve to show as Koza'rai underestimating the tenacity of Winston Zeddemore.
Returning to Mars, we're treated by a brilliant reference to the
Wizard of Oz. Of course, we all know how things are going to pan out, but it doesn't make it any less enjoyable.
Additionally, I quite like the concept of the Martian “Ghostbusters”, even their prohibition symbol helmets. It's also in this scene where Venkman gets to steal the show in appropriate Murray fashion (but then, it's of such a par that it could as easily be the laid back charm of Lorenzo Music).
Finally, the Ghostbusters are returned to their own time, and in true dramatic, cinematic and graphic charm, are treated to their own private
Planet of the Apes moment, with the reveal of a scarred and battle-damaged Firehouse.
Heston would be proud.
Once more, Lobdell's dialogue doesn't disappoint, he shows a great feeling for the characters and their respective dynamics.
Equally, Llias Kyriazis once again knocks the ball out of the pack on art, colours and dramatic lighting. The differing environments of futuristic Mars and demon-seiged Manhattan are richly defined in tone and in detail.
I can't wait for issue 4.
I just hope that if it all pays off, they consider bringing Lobdell and Kyriazis back for a future storyline.