Fritz Babbles About Ghostbusters: Displaced Aggression #4
I wish I could say that the conclusion of Displaced Aggression was the bestest thing ever, but I can't. The art was stunning, the plot was suitably dark and intense, and the ending made sense (something that couldn't be said of the previous miniseries' literal Deus Ex Machina). I guess I just couldn't get over three little problems.
1. It wasn't a surprise that, with the neccessity of dealing with Koza'Rai, the three other Ghostbusters being back together, and the Janine backup strip (more on this in a minute, as you can imagine), it was still a little disappointing to see Winston crowded out of “his” spotlight issue.
That being said, at least he played a very important part: he got to save the other Ghostbusters butts. They would have been up shit creek without a paddle if Winston hadn't been left behind–this arguably turns out to be Koza'Rai's biggest underestimation.
2. You know, when I write stuff like this, from my review of GBDA#1…
And now a new villain…just happens to be Gozer's father.
I guess next they'll bring back Gozo, Son of Gozer, and Horg the Gozarian, Gozer's Scottish redneck uncle from the Marvel UK books. All they need then is a skanky Mary Sue Cousin (since Gozer already has two dogs) to complete the set.
Oh crap, did I just guess Rachel's real origin? (lol)
…I mean it as a joke at the expense of the silly stuff that Marvel UK put out back in the day, and at Dan DiDio's fetish for bringing back even the stupidest crap from the Silver Age.
I DIDN'T THINK I'D BE RIGHT!!!
Well, okay, she's not Gozer's skanky cousin. She's it's half-sister, and half-human. But still…the pantheon of unneccessary Gozarian family members grows.
That being said, I found myself surprisingly touched by her final fate. She did seem to have some genuine feeling for Venkman, and disgust at the rest of the Gozarians' ways; granted, heroically sacrificing yourself at the end is a very Mary Sueish twist, but it's handled well.
3. >sigh<
I so wanted to enjoy the backup feature.
Janine's one of my favorite characters, when handled well. Aykroyd and Ramis in GB1, JMS, Richard Mueller, James Van Hise, Andrew Dabb. When written well, she's a strong, capable, ascerbic, delightfully eccentric woman who holds her own in a world of ghosts, demons, and four guys with their own eccentricities and, in some cases, massive egos.
When written badly (Len Jansen and Chuck Menville after JMS left; Aykroyd and Ramis, sadly, in GB2) she's either a chipper milquetoast or a blase ho-bag. I think I saw a little too much of the bad Janine here.
The concept was fine–she gets zapped away by Koza'Rai, and forms her own Ghostbusters team in pre-Revolution France (She speaks French?). The fact that she didn't fold up and wilt, and took charge of her own bad situation with just as much resolve as any of the male cast members had previously, was very much applauded by me. And I liked the art, personally–it brought a bit of a Mad Magazine, satirical tone to it all. It's not a story meant to be taken too seriously.
But it still fell a bit flat to me. I know the absolute nadir was the panel of Janine and the guy with the skeevy handlebar mustache, implying they'd just finished something that the French might call La Amour or Flagrante Delecto or something like that. After the trauma of watching the character be basically whored out to Louis Tully in GB2, just to give Rick Moranis some more scenes and justify his presence in the movie, I just can't find Ho!Janine very funny (even with the small silver lining that Monseur Pirate is comparing his alleged prowess to Egon, and not Louis)
Now for some good news:
I actually liked Koza'Rai as a villain. He was big, scary-looking, dangerous…and he talked funny. His broken, mangled English was a nice, surreal touch; this is Ghostbusters, after all, and every villain needs something to laugh at, if only for a second. Gozer, after all, appeared in the form of a silly cartoon character. Vigo had a mincing henchman and split ends. Koza'Rai's chatspeak fit into those traditions.
And I admit, Egon's simple, honest greeting to Janine at the end did warm my heart, and almost made up for some of the previous pages. Good grief, he's even sorta smiling…
In the final analysis, Displaced Aggression still comes out several levels ahead of The Other Side It wasn't perfect, but it's a step in the right direction.